Alexander Nagel Michelangelo and the Reform of Art Works Cited
Laden Sie das Buch Women, Art and Architectural Patronage in Renaissance Mantua Downloaden oder lesen Sie es, geschrieben von Sally Anne Hickson und veröffentlicht von Routledge. Dieses Buch wurde auf 2016-02-17 mit einer Gesamtseite von 204 Seiten veröffentlicht. Verfügbar als PDF, EPUB und Kindle. Buchauszug: Analyzing the creative patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed amongst those women, this written report sheds new low-cal the social, cultural and religious impact of the cult of female mystics of that urban center in the belatedly fifteenth and early sixteenth century. Author Sally Hickson combines principal archival inquiry, contextual assay of the climate of female person mysticism, and a re-exam of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este equally a purely secular patron, exposing her role every bit a religious patron likewise. Hickson introduces the figure of Margherita Cantelma and documents apropos the edifice and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family unit, specially Isabella's daughter Livia Gonzaga who became a powerful amanuensis in Mantuan borough life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women besides equally nuns in Renaissance Mantua.
Laden Sie das Buch Space, Paradigm, and Reform in Early Modern Art Downloaden oder lesen Sie es, geschrieben von Arthur J. DiFuria und veröffentlicht von Walter de Gruyter GmbH & Co KG. Dieses Buch wurde auf 2021-11-08 mit einer Gesamtseite von 374 Seiten veröffentlicht. Verfügbar als PDF, EPUB und Kindle. Buchauszug: The essays in Infinite, Image, and Reform in Early Modern Fine art build on Marcia Hall's seminal contributions in several categories crucial for Renaissance studies, peculiarly the spatiality of the church interior, the altarpiece'due south facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The volume works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and office of images in their contexts over two centuries. Relating Hall's investigations of Renaissance art to new fields, Space, Prototype, and Reform expands the ideas at the centre of her piece of work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion non usually seen in edited volumes honoring a unmarried scholar.
Laden Sie das Buch Michelangelo's Poetry and Iconography in the Heart of the Reformation Downloaden oder lesen Sie es, geschrieben von Ambra Moroncini und veröffentlicht von Taylor & Francis. Dieses Buch wurde auf 2017-04-07 mit einer Gesamtseite von 172 Seiten veröffentlicht. Verfügbar als PDF, EPUB und Kindle. Buchauszug: Contextualizing Michelangelo's poetry and spirituality inside the framework of the religious Zeitgeist of his era, this study investigates his poetic product to shed new light on the artist's religious beliefs and unique linguistic communication of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a idea-provoking reading of Michelangelo's nigh controversial creative production between 1536 and c.1550: The Concluding Judgment, his devotional drawings fabricated for Vittoria Colonna, and his final frescoes for the Pauline Chapel. Using theological and literary analyses which depict upon reformist and Protestant scriptural writings, as well as on Michelangelo's own rime spirituali and Vittoria Colonna's spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to calorie-free how, in the 2nd quarter of the sixteenth century in Italy, Michelangelo's poesy and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.
Anachronic Renaissance
| Autor | : Alexander Nagel |
| Herausgeber | : Princeton University Press |
| Freisetzung | : 2010-05-fourteen |
| ISBN 10 | : 9781942130444 |
| Seiten | : 456 pages |
| Bewertung | : 4.9/5 (213 users) |
Laden Sie das Buch Anachronic Renaissance Downloaden oder lesen Sie es, geschrieben von Alexander Nagel und veröffentlicht von Princeton University Press. Dieses Buch wurde auf 2010-05-fourteen mit einer Gesamtseite von 456 Seiten veröffentlicht. Verfügbar als PDF, EPUB und Kindle. Buchauszug: In this widely anticipated book, two leading contemporary fine art historians present a stunning afterthought of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and furnishings of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled past works and artists, a landscape obscured by art history'due south disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals addressed in this volume were shaped by concerns about actuality, about reference to prestigious origins and precedents, and nigh the implications of transposition from one medium to another. Byzantine icons taken to exist early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and commendation, differing approaches to art restoration, legends virtually movable buildings, and forgeries and pastiches: all of these sally equally basic conceptual structures of Renaissance art. The authors testify how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of fine art does prove to the moment of its fabrication, Nagel and Forest argue that information technology is equally important to empathise its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior antiquity or image, even to an origin outside of time, in divinity. The authors conclude with an assay of Roman episodes and projects of the decades around 1500, culminating in Raphael'south Stanza della Segnatura. This volume is non the story most the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Clearly, Anachronic Renaissance volition be essential reading for historians of Western art and all those concerned with the historiography of material culture.
Eating Dazzler
| Autor | : Ann W. Astell |
| Herausgeber | : Cornell University Press |
| Freisetzung | : 2016-02-09 |
| ISBN 10 | : 9781501704543 |
| Seiten | : 312 pages |
| Bewertung | : iv.v/v (170 users) |
Laden Sie das Buch Eating Beauty Downloaden oder lesen Sie es, geschrieben von Ann W. Astell und veröffentlicht von Cornell University Press. Dieses Buch wurde auf 2016-02-09 mit einer Gesamtseite von 312 Seiten veröffentlicht. Verfügbar als PDF, EPUB und Kindle. Buchauszug: "The enigmatic link betwixt the natural and creative beauty that is to be contemplated merely not eaten, on the i hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. 1 cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions almost the relationship between beauty, art (broadly defined), and eating."—from Eating Beauty In a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase "eating beauty." The phrase evokes the destruction of beauty, the devouring mouth of the grave, the rima oris of hell. To eat beauty is to destroy it. All the same in the case of the Eucharist the person of religion who eats the Host is transformed into beauty itself, literally incorporated into Christ. In this sense, Astell explains, the Eucharist was "productive of an entire 'way' of life, a virtuous life-form, an artwork, with Christ himself as the principal artist." The Eucharist established for the people of the Center Ages distinctive schools of sanctity—Cistercian, Franciscan, Dominican, and Ignatian—whose members were united by the eucharistic sacrament that they received. Reading the lives of the saints not primarily as historical documents simply as iconic expressions of original artworks fashioned past the eucharistic Christ, Astell puts the "faceless" Host in a dynamic relationship with these icons. With the advent of each new spirituality, the Christian idea of beauty expanded to include, kickoff, the marred beauty of the saint and, finally, that of the church building torn by division—an anti-aesthetic beauty embracing process, suffering, deformity, and disappearance, as well as the radiant lightness of the resurrected body. This amazing work of intellectual and religious history is illustrated with telling artistic examples ranging from medieval manuscript illuminations to sculptures by Michelangelo and paintings past Salvador Dalí. Astell puts the lives of medieval saints in chat with modern philosophers as disparate as Simone Weil and Chiliad. W. F. Hegel.
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Source: https://gutebucher.com/pdf/michelangelo-and-the-reform-of-art/
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